As one of the most widely discussed and researched subjects within the field of film studies, the Hollywood blacklist makes for a difficult task to explore. Previous research in film studies generally examines how members within the Hollywood community came to become blacklisted, either on behalf of the House Committee on Un-American Activities (HUAC) directly or by their fellow artists. Furthermore, previous literature has simply expressed hypotheses as to the intent of anti-communist films: as propaganda or allegory. In Film Criticism, the Cold War, and the Blacklist, Jeff Smith provides a new perspective on the phenomenon by elucidating why anti-communist films functioned as they did, regardless of propagandistic or allegorical intent.
Citation: Jorge C. González, “Review of Film Criticism, The Cold War, and the Blacklist: Reading the Hollywood Reds (by Jeff Smith),” Journal of Arts Management, Law, and Society 46, 1: 47-48.